Fresh Air with Terry Gross

Weekdays at 11am C.T., and again at 7pm C.T.

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. 

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits the show with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

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As the White House correspondent for ABC News, Jake Tapper covered the war in Afghanistan from what he calls "the comfort of the North Lawn of the White House."

"I had not been a war reporter in any sense other than debates about the war in Washington, D.C.," he tells Fresh Air's Terry Gross.

When Emily Bazelon was in eighth grade, her friends fired her. Now a senior editor for Slate, Bazelon writes in her new book, Sticks and Stones: "Two and a half decades later, I can say that wryly: it happened to plenty of people, and look at us now, right? We survived. But at the time, in that moment, it was impossible to have that kind of perspective."

In Sticks and Stones, Bazelon explores teen bullying, what it is and what it isn't, and how the rise of the Internet and social media make the experience more challenging.

"I just got the phone call one day," is how poet Richard Blanco describes to Fresh Air's Terry Gross how he learned he had been selected to write and read the inaugural poem for President Obama's second swearing-in on Jan. 21.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

This interview was originally broadcast on Nov. 15, 2012.

Tony Kushner spent years writing the screenplay for Steven Spielberg's film Lincoln, but that wasn't the only heavy lifting he had to do. It also took some effort to overcome Daniel Day-Lewis' reluctance to play the title role.

Wes Anderson, Creating A Singular 'Kingdom'

Feb 15, 2013

This interview was originally broadcast on May 29, 2012.

Director Wes Anderson has many credits to his name — The Royal Tenenbaums, The Darjeeling Limited, Bottle Rocket and Fantastic Mr. Fox among them — but Moonrise Kingdom was his first film to open the prestigious Cannes Film Festival.

Delicate phrasing, with both voice and guitar, has always made Richard Thompson a musician worth hearing — and sometimes even liking on a personal level. For a man who can make such pretty music, it's to his credit that he prefers to show his thorny, stubborn, cranky, even mean side in many of the songs in his solo career.

As the civil rights movement gained momentum in the 1960s, Ku Klux Klan activity boomed. That fact itself may not be surprising, but in the introduction to his new book, Klansville, U.S.A., David Cunningham also reveals that, "While deadly KKK violence in Mississippi, Alabama and Georgia ha[d] garnered the lion's share of Klan publicity, the United Klan's stronghold was, in fact, North Carolina." North Carolina, Cunningham writes, had more Klan members than the rest of the South combined.

The Dead Sea Scrolls are the ancient manuscripts dating back to the time of Jesus that were found between 1947 and 1956 in caves by the Dead Sea. Since they were first discovered, they have been a source of fascination and debate over what they can teach — and have taught — about Judeo-Christian history. In his new book, The Dead Sea Scrolls: A Biography, Yale professor John J. Collins tells the story of the scrolls, their discovery and the controversies surrounding the scholarship of them.

Saxophonist Rudresh Mahanthappa's quartet can sound like it's cross-pollinating Indian classical music and vintage Captain Beefheart. That befits a bicultural saxophonist who grew up in Boulder, where his Hindu family had a Christmas tree. For a long time, Mahanthappa resisted combining jazz and Indian music — it was almost too obvious a trajectory. But then he got serious about it.