Milo Miles
Milo Miles is Fresh Air's world-music and American-roots music critic. He is a former music editor of The Boston Phoenix.
Miles is a contributing writer for Rolling Stone magazine, and he also writes about music for The Village Voice and The New York Times.
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A new anthology from the Putumayo label celebrates the variations in African blues. Critic Milo Miles says the collection is delicate, airy and strong all the way through. -
During the last 20 years, bachata has risen from the back country of the Dominican Republic to take its place next to salsa in concert halls. Milo Miles considers bachata's humble beginnings and the continuing appeal of its simpler side. -
South African trumpeter and band leader Hugh Masekela has released more than 30 albums since his American debut in 1961. The concept behind his latest album, Jabulani, is deceptively simple. It's a collection of South African wedding songs which Masekela remembers vividly from his youth. -
For many years, the search for unknown or forgotten soul singers has dug deeply into music archives. But surprises still turn up. Music critic Milo Miles says this year's best discovery is a West African singer and bandleader named El Rego. -
Milo Miles reviews a compilation of overseas grooves that carry on psychedelic styles long after they were dropped in the U.S. -
The New York trio Battles and the Chicago-based experimental rock band Cheer-Accident come from very different directions. But critic Milo Miles says that both groups have recently put out their most appealing records, without losing their cerebral side. -
Elvis Presley is constantly being discovered by new generations, and by older fans in new stages of life. Critic Milo Miles talks about the surprise rewards he found while listening to the new reissue Elvis Is Back! — and during his first visit to Graceland in Memphis. -
Over the course of 40 years, Iggy Pop has changed from a noisy brat with seemingly no chance at stardom to a widely respected founder of punk. A new box set, Roadkill Rising, collects many of his unreleased concert bootlegs. -
When La Lupe, the "Queen of Latin Soul," peaked in the 1960s, she was a regular at the Palladium Club and played Madison Square Garden. By the late 1980s, she was on welfare with no fixed address. Critic Milo Miles says a new retrospective album redeems the forgotten singer.
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The Australian singer recently made her American debut with her third album, As Day Follows Night. It's a cycle of songs about a love triangle, and it's performed, as Blasko says, in the direct manner of early Carole King. Milo Miles explains how Blasko escapes irony and sentimentality to refresh a well-worn subject.
